The 40 Kammaṭṭhānas and Six Carita Types in the Visuddhimagga: A Practical Map of Meditation According to Temperament
By Ven. Dr. Nivitigala Sumitta Thero (Bhante Sumitta) | Dhamma USA
Introduction
The Visuddhimagga, or "Path of Purification," was composed in Sri Lanka in the fifth century CE by the great Theravāda commentator Ācariya Buddhaghosa. Drawing upon the Pāli Canon and the commentarial traditions preserved at the Mahāvihāra in Anurādhapura, Buddhaghosa organized Buddhist doctrine and practice according to the threefold training of sīla, samādhi, and paññā. The Visuddhimagga presents a systematic synthesis of canonical and commentarial Theravāda teachings, drawing on the Nikāyas, the Abhidhamma, and centuries of accumulated commentarial reflection.
One of the most distinctive and enduring contributions of the Visuddhimagga is its treatment of kammaṭṭhāna, literally "working ground" or "basis of work," the technical term for a meditation subject. The Pāli Canon itself mentions many objects of meditation scattered across different suttas, but it was Buddhaghosa who drew these together into an organized system of forty kammaṭṭhānas, and — more significantly for the practitioner — correlated them with six caritas, or dominant character temperaments. The carita framework reflects the recognition that different mental tendencies may benefit from different meditation subjects.
The word carita derives from the verb carati, "to move" or "to behave," and in this context refers to a dominant disposition or habitual tendency of character relevant to meditation training. Buddhaghosa's discussion of carita, found in Chapter III of the Visuddhimagga, is not a rigid system of personality typing in the modern psychological sense. Rather, it serves the practical purpose of meditation instruction: a teacher observing a student's posture, speech, eating habits, and emotional reactions could discern which tendencies were dominant and thereby suggest a suitable object of practice.
A meditation subject that settles one mind may unsettle another. A person inclined toward irritability who contemplates corpses in decay may only deepen aversion and gloom, whereas the same practice can be profoundly liberating for someone consumed by lustful attachment to physical beauty. A person already given to excessive analysis and speculative thought may find that instructions requiring subtle discrimination only feed the very restlessness the practice was meant to calm, while a broad, undemanding object like mindfulness of breathing settles that same mind precisely because it does not invite further elaboration. The practical implication is that meditation subjects should be selected with attention to the practitioner's dominant tendencies.
The Six Carita Types
Buddhaghosa identifies six caritas, though he acknowledges that in practice these rarely occur in pure isolation; most people exhibit a blend, with one or two tendencies dominant. The six are: rāga-carita, dosa-carita, moha-carita, saddhā-carita, buddhi-carita, and vitakka-carita.
1. Rāga-carita (Greedy / Lustful Temperament)
The person of rāga-carita is dominated by rāga, attachment or greed, particularly attraction to sensual pleasure, physical beauty, comfort, and refinement. Such a person tends to be drawn to what is agreeable and repelled by what is coarse or unpleasant. Behaviorally, the Visuddhimagga describes this temperament through subtle signs: a graceful, unhurried gait; neat and attractive dress; fastidiousness about food, cleanliness, and appearance; a taste for what is fine, harmonious, and pleasing to the senses; and a general softness and courtesy of manner. The underlying danger of this temperament is that it inclines the mind toward clinging — an inability to let go of what is pleasant, and a corresponding restlessness whenever gratification is withheld.
The meditation subjects prescribed as antidotes for rāga-carita are the ten asubha (foulness meditations, i.e., contemplation of the decaying corpse) and kāyagatāsati (mindfulness directed to the thirty-two parts of the body). Where rāga fastens onto the body as an object of delight, these practices reveal the body's actual composition and its inevitable decomposition, thereby weakening sensual attachment to the body.
2. Dosa-carita (Hating / Angry Temperament)
The person of dosa-carita is dominated by dosa, aversion, ill will, and irritability. Such individuals are prone to fault-finding, impatience, harsh speech, tension in the body, and a critical, easily offended disposition. The Visuddhimagga notes signs such as a stiff, hurried gait; an unkempt or rigid appearance; sharpness in eating and speaking; and quickness to perceive faults, whether in objects, in others, or in circumstances. The characteristic danger of dosa-carita is emotional rigidity: a hardening of the heart that manifests as resentment, harshness, and an inability to soften toward what is imperfect.
The recommended remedies are the four brahmavihāras (mettā, karuṇā, muditā, upekkhā) together with the four color kasiṇas (nīla, pīta, lohita, odāta — blue, yellow, red, and white). The brahmavihāras directly counter ill will by cultivating loving-kindness, compassion, appreciative joy, and equanimity. The four color kasiṇas are also recommended in the Visuddhimagga for the dosa temperament.
3. Moha-carita (Deluded Temperament)
The person of moha-carita is dominated by moha, delusion or dullness — not stupidity in an ordinary sense, but a kind of mental murkiness, indecisiveness, and inability to grasp things clearly. The Visuddhimagga describes signs such as an unsteady, shuffling gait; a slovenly, confused manner of dress; an irregular or messy way of eating; and a generally unfocused, forgetful, and easily distracted mind. The chief danger here is a lack of clarity — the mind drifts without firm orientation, easily swayed and easily confused about what is wholesome and what is not.
The primary remedy prescribed is ānāpānasati, mindfulness of breathing. Because this practice requires sustained, simple attention to a single, ever-present object — the breath — it steadies and sharpens a mind that otherwise struggles to settle on anything. Its continuous and uncomplicated object helps steady a mind prone to confusion and distraction.
4. Saddhā-carita (Faithful / Devout Temperament)
The person of saddhā-carita is dominated by saddhā, faith or trusting confidence. Such individuals are generous, reverential, easily moved by what is inspiring or sacred, and inclined toward devotion. The Visuddhimagga notes a graceful, dignified bearing; generosity in giving; delight in visiting worthy teachers and sacred places; and a heart readily uplifted by faith-inspiring objects. Saddhā is a wholesome quality and, indeed, one of the five spiritual faculties; the aim in working with this temperament is to direct that natural confidence toward suitable objects of devotion.
The recommended objects are the first six of the ten anussatis (recollections): buddhānussati, dhammānussati, saṅghānussati, sīlānussati, cāgānussati, and devatānussati — recollection of the Buddha's qualities, the Dhamma, the Saṅgha, one's own virtue, one's own generosity, and the qualities that lead to rebirth among the devas. These practices channel the devotional temperament toward objects fully worthy of confidence, deepening faith while grounding it in reflection on genuine qualities rather than mere sentiment.
5. Buddhi-carita (Intelligent / Wise Temperament)
The person of buddhi-carita is dominated by buddhi, intelligence or discernment. Such individuals are naturally analytical, reflective, quick to perceive the true nature of things, and disinclined toward superstition or unexamined belief. The Visuddhimagga describes a measured, deliberate gait; a thoughtful, unhurried way of eating; and a general poise arising from clear-sightedness.
The four subjects especially recommended for this temperament are maraṇassati (recollection of death), upasamānussati (recollection of the peace of Nibbāna), āhāre paṭikūlasaññā (perception of the repulsiveness of nutriment), and catudhātuvavatthāna (analysis of the four elements). These subjects make constructive use of the practitioner's capacity for careful reflection and discernment.
6. Vitakka-carita (Speculative / Discursive Temperament)
The person of vitakka-carita is characterized here by discursive and scattered thinking — restless thought that jumps from one idea to another without settling. Such individuals tend to be talkative, easily distracted by trains of thought, prone to speculation, and mentally busy even in the absence of any external stimulus. The Visuddhimagga notes an unsteady gait and restless movements resembling those of the moha-carita, along with a mind constantly occupied in wandering thought. The danger of this temperament is mental fragmentation — an inability to remain with a single object because the mind habitually multiplies associations and doubts.
Ānāpānasati is recommended for both moha-carita and vitakka-carita because it provides a continuous and relatively simple object capable of steadying a dull or discursive mind. Elsewhere, the Visuddhimagga also discusses differences in the appropriate size of kasiṇa objects according to temperament (Visuddhimagga III.121).
The Forty Kammaṭṭhānas
Having outlined the caritas, Buddhaghosa turns to the meditation subjects themselves, presented in a sevenfold traditional classification comprising forty items in total: ten kasiṇas, ten asubhas, ten anussatis, four brahmavihāras, four āruppas, one perception (āhāre paṭikūlasaññā), and one analysis (catudhātuvavatthāna).
1. The Ten Kasiṇas
A kasiṇa is a meditation device — traditionally a prepared disc or a naturally occurring object — used as a support for developing one-pointed concentration. The meditator gazes at the kasiṇa object until a mental image (nimitta) of it can be sustained even with the eyes closed, and eventually refined into a stable "counterpart sign" capable of supporting deep absorption. The ten kasiṇas are:
- Pathavī-kasiṇa — the earth kasiṇa, typically a disc of prepared clay or reddish-brown earth
- Āpo-kasiṇa — the water kasiṇa, a bowl or container of clear water
- Tejo-kasiṇa — the fire kasiṇa, contemplated through a controlled flame
- Vāyo-kasiṇa — the air/wind kasiṇa, perceived through the movement it causes, as in swaying grass or the sensation on the skin
- Nīla-kasiṇa — the blue kasiṇa
- Pīta-kasiṇa — the yellow kasiṇa
- Lohita-kasiṇa — the red kasiṇa
- Odāta-kasiṇa — the white kasiṇa
- Āloka-kasiṇa — the light kasiṇa, contemplated through a beam of light or a lit surface
- Paricchinnākāsa-kasiṇa — the kasiṇa of delimited space, contemplated through a bounded aperture of open space
The kasiṇas are important concentration subjects in the Visuddhimagga system and can support attainment of the four rūpa-jhānas. As noted above, the four color kasiṇas (nīla, pīta, lohita, odāta) are specifically recommended for dosa-carita, while the remaining six kasiṇas belong to the category of subjects generally suitable across temperaments.
2. The Ten Asubhas
The asubha meditations, sometimes rendered "cemetery contemplations" or "foulness meditations," involve the direct observation — historically, in the charnel grounds of ancient India — of a corpse at various stages of decomposition. The ten stages, as classified in the Visuddhimagga, are:
- Uddhumātaka — the bloated corpse
- Vinīlaka — the livid, discolored corpse
- Vipubbaka — the festering corpse
- Vicchiddaka — the cut-up corpse
- Vikkhāyitaka — the gnawed corpse
- Vikkhittaka — the scattered corpse
- Hatavikkhittaka — the hacked and scattered corpse
- Lohitaka — the bleeding corpse
- Puḷavaka — the worm-infested corpse
- Aṭṭhika — the skeleton
These practices are described in the Visuddhimagga as especially suited to rāga-carita, since they directly confront the very object of sensual fascination — the physical body — with its inevitable processes of decay and dissolution. This counters attachment to physical beauty, vanity, and sensual craving through direct perception rather than argument. According to the Visuddhimagga, the ten asubha subjects support attainment of the first jhāna but not the higher rūpa-jhānas.
3. The Ten Anussatis
The anussatis, or recollections, are meditative reflections on qualities or facts that inspire, steady, or clarify the mind. The ten are:
- Buddhānussati — recollection of the qualities of the Buddha
- Dhammānussati — recollection of the qualities of the Dhamma
- Saṅghānussati — recollection of the qualities of the Saṅgha
- Sīlānussati — recollection of one's own moral virtue
- Cāgānussati — recollection of one's own generosity
- Devatānussati — recollection of the qualities that lead to rebirth as a deva, used as a mirror for one's own faith, virtue, learning, generosity, and wisdom
- Maraṇassati — mindfulness of death
- Kāyagatāsati — mindfulness of the body, especially through contemplation of its thirty-two anatomical parts
- Ānāpānasati — mindfulness of breathing
- Upasamānussati — recollection of the peace of Nibbāna
As already noted, the first six recollections are especially suitable for saddhā-carita, since they engage and deepen devotional confidence while anchoring it in genuine qualities. Maraṇassati and upasamānussati are recommended for buddhi-carita, as both require sustained reflective analysis. Kāyagatāsati, given its focus on the body's anatomical reality, is recommended for rāga-carita, functioning alongside the asubhas as a counter to bodily infatuation. Ānāpānasati, as discussed, is recommended for both moha-carita and vitakka-carita.
Among the ten recollections, only kāyagatāsati and ānāpānasati are capable of leading to full absorption — kāyagatāsati as far as the first jhāna, and ānāpānasati through all four rūpa-jhānas. The remaining eight recollections, because their objects involve qualities too subtle or multifaceted to be fully unified into a single absorption sign, lead only as far as access concentration (upacāra-samādhi).
4. The Four Brahmavihāras
The brahmavihāras, or divine abodes, are four attitudes of unlimited, boundless cultivation directed toward all beings:
- Mettā — loving-kindness, the wish for the welfare and happiness of all beings
- Karuṇā — compassion, the wish for beings to be free from suffering
- Muditā — sympathetic joy, gladness at the happiness and success of others
- Upekkhā — equanimity, an even-minded regard for all beings that neither clings nor rejects
As noted, these are especially recommended for dosa-carita, since they directly transform the underlying hostility, resentment, jealousy, and emotional harshness that characterize this temperament. In the Visuddhimagga system, mettā, karuṇā, and muditā can support the first three rūpa-jhānas, while upekkhā is associated with the fourth jhāna.
5. The Four Immaterial Attainments (Āruppas)
The āruppas, or four immaterial attainments, extend concentration beyond the subtlest material object into formless states:
- Ākāsānañcāyatana — the base of infinite space
- Viññāṇañcāyatana — the base of infinite consciousness
- Ākiñcaññāyatana — the base of nothingness
- Nevasaññānāsaññāyatana — the base of neither-perception-nor-non-perception
These four immaterial attainments are not exclusively linked to any single temperament. They are developed successively after mastery of the fourth rūpa-jhāna, each based on a progressively subtler immaterial object.
6. Āhāre Paṭikūlasaññā
Āhāre paṭikūlasaññā, the perception of the repulsiveness of nutriment, is a single, distinct meditation subject involving reflection on food — its preparation, its consumption, its transformation within the body, and the effort involved in obtaining, consuming, and digesting food. Rather than denying the necessity of food, this practice aims to weaken the subtle attachment and craving that so easily attaches itself to eating. It is classified as particularly suited to buddhi-carita, since it requires the kind of sustained, discriminating reflection at which the analytically inclined practitioner excels, and it helps reduce attachment to food as an object of sensual enjoyment. Developed successfully, this practice leads only as far as access concentration, since its object — while clarifying — does not offer the singular focus required for jhānic absorption.
7. Catudhātuvavatthāna
Catudhātuvavatthāna, the analysis or definition of the four elements, involves the systematic examination of the body in terms of its four fundamental material qualities:
- Pathavī — the earth element, associated with solidity and extension
- Āpo — the water element, associated with cohesion and fluidity
- Tejo — the fire element, associated with temperature
- Vāyo — the air element, associated with motion and pressure
This analysis dismantles the intuitive sense of the body as a solid, unified, permanent "self" by revealing it instead as a composite of impersonal physical processes. Like āhāre paṭikūlasaññā, it is recommended especially for buddhi-carita, given the analytical rigor it demands, and it too culminates only in access concentration rather than full absorption. This analysis can also prepare the mind for insight by weakening the ordinary perception of the body as a single, permanent entity and encouraging examination in terms of impersonal material qualities.
Matching Carita and Kammaṭṭhāna
The following table summarizes the standard correspondences set out in the Visuddhimagga:
| Carita | Recommended Meditation Subjects |
|---|---|
| Rāga-carita | 10 Asubhas + Kāyagatāsati |
| Dosa-carita | 4 Brahmavihāras + 4 Color Kasiṇas (Nīla, Pīta, Lohita, Odāta) |
| Moha-carita | Ānāpānasati |
| Saddhā-carita | First 6 Anussatis (Buddhānussati, Dhammānussati, Saṅghānussati, Sīlānussati, Cāgānussati, Devatānussati) |
| Buddhi-carita | Maraṇassati, Upasamānussati, Āhāre Paṭikūlasaññā, Catudhātuvavatthāna |
| Vitakka-carita | Ānāpānasati |
The remaining six kasiṇas (pathavī, āpo, tejo, vāyo, āloka, paricchinnākāsa) along with the four āruppas are considered generally suitable across all temperaments, since their objects do not particularly provoke or particularly soothe any one defilement more than another.
These correspondences should be understood as practical guidelines rather than fixed personality categories. In practice, temperaments may appear in mixed forms, with one tendency more prominent than others. The value of the carita framework lies not in fixing a permanent diagnosis but in offering an experienced teacher a starting point — a reasoned basis for suggesting one object rather than another, subject to ongoing observation and adjustment as practice unfolds.
How a Meditation Teacher Discerns Temperament
The Visuddhimagga describes temperament through observable habits such as walking, posture, eating, speech, responses to pleasant and unpleasant objects, and general patterns of conduct. These signs are not intended as a rigid personality test. They provide a practical basis for an experienced teacher to judge which meditation subject may initially be suitable — with the understanding that caritas may be mixed, and that a person may show one tendency in one context and another elsewhere, so the assessment is refined over time rather than fixed at a single meeting.
Kammaṭṭhāna and Levels of Concentration
The Visuddhimagga distinguishes three stages relevant to the development of samatha (calm) meditation:
- Parikamma — the preliminary or preparatory stage of practice, in which the meditator is first learning to work with the chosen object, before any stable sign has arisen
- Upacāra-samādhi — access concentration, the stage in which the hindrances are strongly suppressed and the mind approaches absorption; in meditation subjects that employ a nimitta, the meditation sign has become well established
- Appanā-samādhi — absorption concentration, i.e., actual entry into jhāna, where the mind is fully unified with its object
Not every kammaṭṭhāna leads equally far. As detailed above, the ten kasiṇas and ānāpānasati are capable of leading through all four rūpa-jhānas; the ten asubhas and kāyagatāsati support the first jhāna, while the Visuddhimagga does not assign them the higher rūpa-jhānas; the four brahmavihāras lead through the third jhāna (mettā, karuṇā, muditā) or specifically the fourth (upekkhā); and the remaining recollections — apart from kāyagatāsati and ānāpānasati — together with āhāre paṭikūlasaññā and catudhātuvavatthāna, culminate only in access concentration, according to the traditional classification. The four immaterial attainments, finally, extend concentration beyond material jhāna into formless states, building successively on the fourth rūpa-jhāna.
Why This Framework Still Matters Today
Although composed some fifteen centuries ago in a very different cultural and monastic environment, Buddhaghosa's system retains real relevance for contemporary practitioners and teachers.
The framework remains relevant because it reminds us that Theravāda meditation includes a wide range of methods, not only mindfulness of breathing. In much of contemporary popular practice, mindfulness of breathing has become nearly synonymous with meditation itself, often presented as universally applicable without reference to individual disposition. The Visuddhimagga's classification, by contrast, shows meditation subjects selected to work specifically against particular tendencies: the asubha meditations counter sensual attachment directly rather than merely relaxing the mind in general, and the brahmavihāras cultivate qualities — kindness, compassion, shared joy, equanimity — that stand in direct opposition to ill will.
The framework also preserves the traditional importance of adapting meditation instruction to the practitioner. While the close, sustained teacher-student relationship this once presupposed is not always available in the present day, understanding its underlying logic can still inform how modern practitioners and teachers think about selecting and adjusting practice.
Important Cautions for Modern Practitioners
Several cautions accompany any contemporary engagement with this framework, and they are worth stating plainly.
Intensive practices such as the asubha meditations were traditionally undertaken within a monastic context, often quite literally at a charnel ground, and ideally under the close guidance of a competent and experienced teacher. These are not practices to be taken up casually, out of curiosity, or without appropriate preparation and support; the Visuddhimagga itself records cautionary episodes regarding certain practitioners' reactions to these contemplations. Similarly, meditation subjects in general should not be selected merely out of intellectual interest in "trying" an exotic or advanced-sounding technique.
As a modern practical caution, not one drawn from the Visuddhimagga itself: mental health, emotional stability, and individual capacity should be considered carefully today, and anyone with a history of significant psychological difficulty is well advised to approach intensive practices — particularly those involving death, decay, or strong emotional content — only with appropriate professional and spiritual guidance.
It is also important to situate the Visuddhimagga's kammaṭṭhāna framework within the larger structure of the path: sīla, samādhi, and paññā. Samatha practice, which the forty kammaṭṭhānas primarily serve, purifies and stabilizes the mind, but it does not by itself constitute the whole of the path. Concentration supports but does not replace insight (vipassanā) and the wisdom (paññā) that directly sees the three characteristics of impermanence, unsatisfactoriness, and not-self. A tranquil, unified mind is an invaluable foundation, but the Visuddhimagga is emphatic that liberation depends on wisdom built upon that foundation, not on concentration alone.
Conclusion
Buddhaghosa's classification of the forty kammaṭṭhānas and six caritas shows that classical Theravāda meditation was understood as a carefully differentiated training of the mind. The purpose of the system is not to assign permanent personality labels, but to identify a suitable object of meditation that can weaken dominant defilements, establish concentration, and support the development of wisdom.
References
- Buddhaghosa, Bhadantācariya. Visuddhimagga (Path of Purification), particularly Chapter III, Samādhiniddesa (on the kammaṭṭhānas and caritas), and the subsequent chapters detailing each meditation subject.
- Ñāṇamoli, Bhikkhu (trans.). The Path of Purification: Visuddhimagga. Kandy, Sri Lanka: Buddhist Publication Society.
- Majjhima Nikāya 118, Ānāpānasati Sutta.
- Majjhima Nikāya 10 / Dīgha Nikāya 22, Satipaṭṭhāna Sutta.
- Sutta Nipāta 1.8 / Khuddakapāṭha 9, Karaṇīyamettā Sutta.
Suggested Citation
Nivitigala Sumitta. "The 40 Kammaṭṭhānas and Six Carita Types in the Visuddhimagga: A Practical Map of Meditation According to Temperament." Dhamma USA Blog, www.dhammausa.com, 2026.
About the Author
Ven. Dr. Nivitigala Sumitta Thero (Bhante Sumitta) is a Theravāda Buddhist monk, scholar, educator, and founder of Dhamma USA . He holds a PhD in Religious Studies from the University of the West, California, and has taught Buddhist Studies, Pāli, ethics, meditation, and related subjects in Sri Lanka and the United States. His work brings together traditional Theravāda scholarship, Pāli textual study, academic research, and practical Dhamma teaching, with particular emphasis on making Buddhist teachings accessible and relevant to contemporary life.
Read more articles and Dhamma teachings on the Dhamma USA Blog , or learn about our programs at the Dhamma USA official website .
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Primary textual basis:
Visuddhimagga, Chapter III (Samādhiniddesa) and subsequent
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Ānāpānasati Sutta (MN 118),
Satipaṭṭhāna Sutta (MN 10 / DN 22),
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